I wanted to get people to understand why this is so difficult before they saw the result. ![]() And so I didn’t want the photo to be the first thing that people see. Those locations were all available on the Event Horizon website, so it was just a matter of finding them on Google Earth and making movements that weren’t too crazy to sort of create some energy for the piece.Īs soon as I saw the black hole image-and actually earlier, because they had published a bunch of simulations of what they expected it to look like- even in the best case scenario it was going to be a really low-resolution, blurry photo that, if you don’t have a sense of how small and how far away this thing is, you’re not going to be impressed by. So I wanted to actually show people those telescopes. But it’s not intuitive, it’s pretty abstract. I had Google Earth Studio in the back of my mind during that time period when I was thinking of ideas, and so when people talk about a telescope the size of the Earth, I think it really helps to show how that’s made. JF: So Google Earth Studio is a really neat tool for video journalists that has only come around in the past year or two. Can you talk about how you came up with that opening? TN: I thought what was really interesting about your video is that you started off with the images of the telescopes instead of any sort of immediate lede about black holes. The phrasing of that press release made it sound like they had something good.… They didn’t seem to be adding caveats that suggested they didn’t get the image, and so it seemed like a good gamble for us to revamp the original video to focus on this project and publish it basically as soon as the image was available. ![]() Then it sort of came across Twitter that they were going to be making an announcement after all of these years. I remember in that video the focus isn’t really on the Event Horizon Telescope project, but we mentioned it and we said this will be coming in 2017, and then in 2019, it was like, Okay, where is it? On the video team, we’re always looking for work that the writers are doing that would work well for video. Joss Fong: This is kind of an interesting one to talk about because it was adapted from a video that we had published, I think in 2016 or maybe even 2015, that was a collaboration with one of the Vox science writers, Brian Resnick, who had written a piece that was titled “Why Every Picture of a Black Hole Is an Illustration.” Tiên Nguyễn: How did the video come about? ![]() For more behind-the-scenes intel, read on as Fong talks with Nguyễn about the project and her approach to video. In her own explainer video about the Vox project (see below), science journalist Tiên Nguyễn takes us through the elements of craft that make Fong’s video so watchable. Vox’s video posted on YouTube about an hour after the press conference in which the momentous result was revealed, beating other news outlets’ video explainers to the punch, according to Fong. What’s also impressive is the timing of the video’s publication. Through clear writing, captivating visuals, and the precise use of music, she tells a stylish and cohesive story. Vox video producer Joss Fong expertly achieves this balance in Vox’s Apvideo about how scientists took the first photo of a black hole. If they don’t, they risk confusing viewers, or perhaps worse, boring them. To convey a story through writing, sound, and visuals, video creators need to ensure that each aspect plays well with the others with regard to complexity and tone. Degree Programs in Science, Health, or Environmental WritingĪmong the various forms of science storytelling online, video has-quite literally-the most moving parts. Science Writing Resources (Elsewhere) That We Like.Guide to Using Alt-text to Make Images More Accessible.Sample Script & Survey for Tracking Source Diversity. ![]()
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